This review was published in The Times.
This is a film that neither proselytises nor patronises religion, a refreshing change
Arranged is the kind of film that brought me joy to watch because it celebrates the choices of women to whom religion is not just important, but critical in their lives. The story is written from within their own world view, showing their struggles with tradition and culture.
The themes that the film explores range from love and companionship, independence and belonging, religion and secularism, modesty and hedonism and reflect the voices of many like me who embrace religion as an important part of the modern world. And for those viewers who just don’t “get” religion, this is a gentle and endearing film that gives an insider’s glimpse into the way such women view the world. It neither proselytises nor patronises religion, whether you believe in it or not.
You can’t help but like the two lead characters, Rochel and Nasira, if for nothing else than the growth that they show through the narrative of the film. It is the most traditional of institutions – marriage and matchmaking – that lead them to discover who they are, and what is important to them.
Just as when I wrote my own book, I felt that the universal search for love, relationships and companionship was a wonderful vehicle for exploring the different ways that people set out to achieve the same essential human goals. One of the film’s great successes was that it avoided third party judgement of the cultures and traditions, but allowed the characters themselves to tell their own stories from within their own heritage. It allowed the voices to speak for themselves.
As a Muslim viewer of the film, it was clear to me that the writer had a stronger insight into the Jewish perspective – which reflects her own upbringing. This was informative for me as I got an insight into the Orthodox lifestyle – something I’ve always wanted to see, but never known how to gain access to.
The writer’s background also translated into a more nuanced and confident approach to assessing the flaws as well as the positives of Rochel’s situation.
Nasira, the Muslim woman, is very likeable and the writer has done well to get under her skin. It is rare to see a female Muslim protagonist with such confidence and bubbliness, as well as humour and charm, so I’m not complaining. But I sense that the writer wasn’t able to inject the same level of compassionate critique into Nasira’s character that she could into Rochel’s.
There are some good comedic moments, including the standard ‘bad-date-montage’. And Nasira’s comment about her nephew and Rochel’s brother playing together in the park as ‘an advert for world peace’ shows that the film makers and protagonists have a sense of the place of their film in the wider social and political narrative.
Is this a chick flick just for women? Yes and no. Of course the challenges that women face in particular when it comes to social pressures to marry will appeal most immediately to women, but this is a story about more than just marriage. Men will also relate to the confusions and pressures of conforming to a system that may seem at odds with its surroundings, as well as the struggle to find meaning and identity in an increasingly secular setting that has less and less respect for religion and people who make religious choices.
The only real criticism of this heart-warming film is that it has a very cute rom-com ending where perfect marriage partners are found, understanding is established and friendships endure. But this is after all a rom-com, so nothing wrong with a cutesy ending like that. And for those who want to complain that the lives of religious women could never be happy-happy like this, I’d say a number of things. Suggesting that religious women are not happy with their choices is to bring a huge number of prejudices to judging the film – after all this is a film exploring exactly the kind of women who are happy with their choices, but who reach that contentment through the struggle to reconcile tradition and religion and find their own voices within that space. It’s exactly this kind of voice that we miss in our public discourse about women and religion, as such women are constantly talked over. Here we finally have a chance to hear what they say for themselves. Second, in every society and culture women face difficult relationship choices, some which work out well and some that don’t – why complain when a rom-com about religious women has a happy ending? And finally, with all the negativity that exists in the public space about women who choose to uphold their religious values, it’s refreshing to find a small space where the joy of family, society and religion can be relished.
If you’d like to read a review by a Jewish author of the same film, you can read one here also at The Times.